![]() Mounting a filter didn’t just enhance the sound. ![]() Generally, this mic needs a lot of preamp gain, but we were able to power it without a Cloudlifter. ![]() We started by plugging in a Shure SM7B to record some vocals. It is an exceptional audio interface with a minimalist layout. The Apollo Twin X QUAD features a robust metal chassis that ensures durability and solid assembly. Next to these you’ll see the Power Supply Output and the Thunderbolt Port with a Kensington lock on the side. On the extreme right, you will find optical ADAT or S/PDIF output above the power switch. Next to these are Monitor Outputs followed by Line outputs 3 & 4. The rear panel has dual Mic/Line Combo Inputs 1 & 2 for preamp channels. The front panel includes the Hi-Z Instrument Input and the Headphone Output for ¼” stereo headphones. Along with the talkback microphone, there is also an Option Display with dual functions present towards the bottom. Various indicators for Preamp Gain & Volume Level, Channel Selection, Input Meters, Input Source Indicators, Monitor Selected Indicator, and Headphones are also present. A Preamp button allows you to toggle between the input channels 1 and 2 while the Monitor button toggles between the Monitor and Headphone controls. The top panel features a Level Knob that controls both the input gain and output volume. Paired with the UA’s DAW (Luna Recording System), this interface is a complete analog studio for fully integrated music production. It boasts elite analog/digital conversion with a 127 dB D/A dynamic range, onboard DSP processing, and an exclusive bundle of analog emulation plug-ins from the Heritage Edition. The UA Apollo Twin X QUAD is a 10 x 6 Thunderbolt 3 audio interface. Not having good driver support is a cause for concern and will lead to trouble later down the road. Pick a vendor that has a good reputation for providing support and drivers for their hardware. ![]() You also want to pay attention to the total gain level on the preamps, especially if you are using mics such as the SM7B that are harder to drive and may require a Cloudlifter.įinally, you always want to get an interface with driver availability for the OS on your laptop/ computer. These days most modern interfaces come with good quality hardware but the more you spend the better hardware you will have. The sound quality of an interface comes from its preamps and converters. Regardless of what interface you get, one thing you absolutely do not want to compromise on is sound quality. Similarly, other additional features such as low latency monitoring, reverb/EQ options, or ADAT/ SPDIF expansion capabilities will factor into your selection. It will narrow down your selection and help you pick the right I/O configuration.įurthermore, if your workflow is plug-in heavy, then you want an interface with an onboard DSP to take the load off your CPU. Having a clear idea of how many analog sources you want to record simultaneously is key for picking the right interface. If you’re just bringing stuff home to mix from sessions, then the type of interface you need will be very different. What are you trying to do? Record a podcast or a voice over? Are you a singer songwriter with the need to record acoustic guitar and vocals simultaneously? Or do you want to record drums, or perhaps even a live band with guitars, bass and so on. When choosing an audio interface for Pro Tools, you want to first establish your use case. Pro Tools is different than Logic Pro and Garageband since it works well on both Windows and Mac, but the preferred medium for most Pro Tools users in most cases is mac OS. Like Ableton and FL Studio, Pro Tools works with interfaces that support the ASIO standard on Windows, and on Mac it relies on Core Audio / native support. How do I connect my Pro Tools to Audio Interface?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |